The Trafomatic LARA is a Class-A dual-chassis balanced line preamplifier incorporating trickle-down technology from their reference models, utilizing 6N30P tubes. This fully balanced design features custom output transformers, separate power supply and remote control, delivering high-end performance.
Trafomatic has a long history of creating bespoke systems at the bleeding edge of technology. Those creations have prices to match as sometimes years of R and D have gone into a circuit or concept to push forward what is possible. It is not long after that we struggle with the notion of how we can make music reproduction of the highest marker, available to those who aren’t willing to wait years or liquidate a college fund to have the very best, or at least close to what is possible.
With that in mind, we are proud and happy to introduce the Lara Line Preamplifier.
LARA incorporates many design principles from our reference and state of the art preamplifiers. After months of research we managed to find a properly performing circuits that reflects with a grand portion of trickle down high tech solution from the Trafomatic top range.
But, thats not all. We pushed things further and LARA comes as a two chassis line level preamplifier fully balanced, remotely controlled Class A line stage with outputs transformers, custom made chokes, separate power supply and 20dB gain. LARA implements 6N30P tubes for best linearity, transparency and musical impact. LARA line preamplifier follows the Trafomatic Audio ultimate pursue for the highest musical reproduction, but at more affordable price, that open up the doors of pure musical enjoyment to wider audience.
LARA is no coincidence or market filler. This is full bloodied Trafomatic Audio high-end audio line stage preamplifier that can compete with products with much higher price. As always, we’re letting you to judge the final sonic results by yourself and let your ears and heart decide.
LARA strikes where its most important – music! We treat gain as the epicenter of the preamplifier and without utmost refinement of the signal traveling through the high-end audio preamplifier there is not even a remote chance to accent the fragile music signal to the level worthy to be called high-end audio.
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